Anti-Shed sits in Winthrop, WA, United States, a house by Syndicate Smith shaped by the Methow Valley’s sharp seasons and long mountain views. The project trades the region’s familiar glassy shed roofs for a pared-back gable form, drawing instead on the owners’ Scandinavian travels and a close reading of wind, snow, and sun. Inside and out, it balances exposure and shelter in a way that feels precise yet relaxed.
Lavra House stands on a narrow urban lot in Matosinhos, Portugal, where WER Studio rethinks how a family home meets the Atlantic climate. The house inverts the conventional layout, dropping bedrooms to the ground floor and lifting social rooms to higher levels to gain privacy, light, and air. Across concrete, steel, and timber, the project choreographs daily life around a central stair and a rooftop terrace with pool.
Jaffe House Restoration rethinks a much-loved coastal house in New York, United States, bringing new clarity to Norman Jaffe’s 1978 work under architect Neil Logan. The project concentrates on the interior layout and connections to the courtyard and ocean, replacing piecemeal alterations with a coherent sequence of rooms that sharpen light, material, and everyday circulation. Historic fabric remains present, but the lived experience shifts toward a calmer, more legible rhythm.
Dunelands Residence crowns a dune above Lake Michigan in Saugatuck, MI, United States, where dSPACE Studio shapes a house tuned to weather and water. The lakefront retreat translates the owners’ love of rugged, four-season adventure into rooms that prioritize wellness, outdoor living, and a quiet connection to the shifting dune landscape. Stucco, steel, and glass read with a low, assured profile against the horizon, giving the dwelling a grounded yet open character.
Casa CR stands on the rugged edge of Lagoa, Portugal, where basalt rock meets Atlantic light. Conceived by SO Arquitetura & Design, the single-level house answers a couple’s late-life wish to start over with clarity and calm. The residence draws on the client’s aviation past and on the island’s tough terrain, translating both into a low, winglike volume that opens wide to garden, courtyard, and horizon.
Bangalow Road House stands on a narrow 360m² corner block in Byron Bay, Australia, shaped by Son Studio as a compact, efficient family house. The project responds to tight height and boundary controls with stacked timber volumes and a central courtyard that mediate between a busy street and calm interior life. Within this modest footprint, the house treats light, screening, and climate as core architectural tools rather than add-ons.
PAVILION SESTIG stands in Belgium as a Modernist pavilion reassessed by architect Glenn Sestig for both work and living. The project turns an existing concrete structure in Deurle into the headquarters for Glenn Sestig Architects and the shared home of Sestig and his partner Bernard. Calm proportions, a restrained material palette, and an inward-looking courtyard bring domestic life and studio practice into a precise, shared setting.
Fanos Guesthouse sets four semi-autonomous apartments on a Cycladic hillside in Greece, a residential complex by A SOUL shaped by wind, light, and water. The project balances private suites and shared terraces so guests split their days between shaded outdoor rooms, a south-facing pool, and calm interiors. Small gestures in plan and material tune the complex to the climate while keeping the experience relaxed and legible.
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