Ascer Ceramic House by HRuiz-Velazquez Architecture
This contemporary “unlimited space” attic apartment is situated in an emblematic early 20th century building in Madrid, Spain. It was designed by Héctor Ruiz-Velázquez.
Description by HRuiz-Velazquez Architecture
In the attic of an emblematic building of classical early 20th century Madrid, this new concept of living space is placed: UNLIMITED SPACE is presented by architect Héctor Ruiz-Velázquez and built out of total freedom of layers. As if the design would be a three-dimensional object, every one of the rooms or points of the home can be located by specifying the axis of coordinates.
The result is the power to move around in few square meters at different heights, going up and down, offering a new experience of roominess in the context of a home: to explore the space. The transition between the rooms is continuous and lets the movement flow freely across the numerous levels.
The spatial flexibility that transforms this home is an innovative housing concept which adapts itself to the actual necessities and to the new usages. Where roominess, brightness and time flow in a multifunctional space without corners or precedence. It is also about expanding the parameters of interior design as well as the conventional trends of arrangement.
This project responds to the assignment by ASCER (Asociación Española de Fabricantes de Azulejos y Pavimentos Cerámicos – Spanish Association of Tile and Ceramic Flooring Manufacturers) for the creation of a new living concept, where the ceramic receives special treatment which turns it into the indisputable protagonist of the space. The ceramic is a material which offers, due to its versatility of application, multiple possibilities in its planimetry. According to the architect’s objective the ceramic thus transforms itself into an excellent dynamic entity able to offer the luxuriousness of working in three dimensions. “Change and continuation”, “tradition and innovation” simply unfold with a new angle on the use of ceramic material.
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- by Matt Watts
