Villa Albany by SAOTA

Villa Albany is a 2024 house in The Bahamas, set within Albany on New Providence Island. SAOTA shapes the residence around water, courtyards, and a clear sequence of thresholds, with the estate’s links golf course beyond.

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About Villa Albany

Located within Albany on New Providence Island, the villa overlooks the estate’s renowned links golf course. Water sits at the center of the composition, shaping a waterscape that surrounds the main living areas and reflects the architecture.

A continuous body of water wraps the house, defining thresholds and mediating the shift between building and landscape. The residence rests within and over that water, which gives the plan a measured sense of balance and enclosure.

Planar walls frame the entrance and guide movement from the threshold between them into a central arrival courtyard. That sequence is direct and controlled, with the approach choreographed by solid edges and a clear spatial order.

Inside, a series of courtyards brings light deeper into the plan and supports airflow through the rooms. These outdoor rooms also ease privacy, create pauses in the layout, and shift the character of each part of the house without breaking its overall clarity.

The villa draws on regional precedent through shaded thresholds, cross-ventilation, and enclosed gardens, translated into a pared-back architectural language. Though contemporary in form, it remains closely tied to the climate and habits of the place.

Material choices reinforce that position. Light colored granite floors and pale regional coral stone echo the tones of nearby beaches, while also offering durability and thermal performance. Externally, terraced ceilings are defined by triangulated aluminum-clad beams that create a subtle ripple across shaded areas.

All external elements are engineered to meet Bahamian hurricane-resistance standards. The result is a residence shaped by contrast—solid and void, structure and landscape, control and openness—yet held together by water, light, and craft.

Photography courtesy of SAOTA
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- by Matt Watts

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