Planter Box House by Formzero
Designed as a house for a retired couple who are passionate in growing foods, the plants filled Planter Box House located in Kuala Lumpur, Malaysia appears less defined, as its appearance oscillates between garden, farm and house, anticipating for a redefinition of contemporary tropical house.
About Planter Box House
Striking Urban Farming in the Planter Box House
The Planter Box House makes a bold statement with its layered concrete planters, hosting over 40 types of edible plants. This unique design contrasts with neighboring buildings and offers communal spaces at its recessed front. An existing jasmine tree integrates into the first planter, serving as both a piece of urban furniture and a community link.
Inside: A Haven of Sustainable Living
The house exudes a warm, welcoming atmosphere, embodying a lifestyle of sustainable, urban community living. Upon entering, visitors enjoy a light-filled space, easily seen through from front to back due to its glass walls. The layout, with a living room and central staircase, leads to a spacious kitchen and dining area. This back section features large glass windows that open to a green wall.
Incorporating traditional elements, the house uses split bamboo from the Temuan people of Negeri Sembilan for its concrete planters. This not only adds an organic aesthetic but is also a practical, low-maintenance choice that ages gracefully.
A Growing Experiment in Urban Agriculture
The house not only reflects the owners’ lifestyle but also serves as a hub for agricultural learning. They’ve innovatively connected the planters with a custom irrigation system, optimizing the use of nutrients and rainwater. This setup allows them to precisely manage each planter’s soil and watering needs.
The project offers the owners, and their community, valuable insights into urban farming in a tropical environment. As the couple continues to experiment and adapt, the house is expected to evolve and grow with them, mirroring their journey.
Photography by Ameen Deen
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- by Matt Watts
