Tauari by Beatriz Quinelato Arquitetura
Tauari recently designed by Beatriz Quinelato Arquitetura, is a midcentury office space located in São Paulo, Brazil.
About Tauari
Introducing the Tauari Project: Where Tradition Meets Modernity
The Tauari Project emerged from a unique request: an office for financial experts with ties to XP Investimentos. Five partners – four men and one woman – envisioned a space that, while adhering to the guidelines of their franchisor, would make a lasting impression.
Bridging Classic and Contemporary Styles
Initially, this dynamic team leaned towards a more conventional office design. Their inclination? A traditional, staid atmosphere. But that’s where the challenge lay. Architect Beatriz Quinelato believed in crafting a contemporary space without losing that time-honored touch. “Our aim,” Beatriz emphasized, “was to show that modern workplaces can still exude warmth and comfort.”
The Evolution of Workspace Design
Modern work culture has drastically shifted our perception of office design. Given that many now spend extended hours at work, the distinction between professional and personal spaces has blurred. Today, elements once exclusive to homes have found their way into offices. The goal? Boost interactions and cultivate a welcoming environment.
Incorporating Home-like Elements
Guided by this evolving design philosophy, Beatriz fashioned a meeting room reminiscent of a cozy living room. Lider interiors contributed comfy armchairs and a sofa, highlighting the architect’s flair for blending aesthetics. The room, swathed in Coral’s “white shark” gray, blends seamlessly with black elements, punctuated with splashes of green for consistency.
Striking the Right Balance
In another meeting area, Beatriz sought to incorporate dining-style chairs. Though this idea didn’t come to fruition, she chose sleek chairs to avoid a dated feel. Across the project, a gentle color palette unifies the spaces, rendering the Tauari Project both sophisticated and contemporary.
Photography by Beatriz Quinelato
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- by Matt Watts
