Higienópolis Apartment in São Paulo Blends Original and New

BLOCO Arquitetos transformed a São Paulo Higienópolis apartment by exposing structural beams and brick walls. The renovation preserved original features, like the double herringbone ipê wood flooring, and integrated them with contemporary Brazilian furniture.

Spacious loft with exposed concrete beams, wall-to-wall bookshelves, and mid-century modern furnishings.
In the renovation project of this apartment located in the Higienópolis neighborhood of São Paulo, Brazil, the Brasília-based firm BLOCO Arquitetos, led by partners Daniel Mangabeira, Henrique Coutinho, and Matheus Seco, capitalized on the original features of the property, situated in a building by Rubens Camargo Monteiro, and combined them with the desires and needs of the residents.
An eclectic dining room with exposed wooden beams, brick walls, and a mix of vintage and modern furnishings.
During the analysis phase of the building’s original design, the architects discovered a ceiling that appeared to be of the “double slab” type. However, structural analysis revealed that the underside of this slab had no structural function, serving only as a finishing ceiling. This allowed the thin lower layer to be carefully removed, revealing the beautiful composition of structural beams that were incorporated into the interior design.
Exposed wooden beams, brick walls, and a large modern painting adorn this industrial-style dining room.

Furthermore, the existing solid ipê wood flooring, laid in a double herringbone pattern, was preserved and restored, and the plaster on the perimeter walls was removed to expose the original solid brick.
A modern kitchen with exposed concrete ceiling, wood cabinetry, and stainless steel appliances.
The original, compartmentalized layout had a pantry between the kitchen and the living room, a small service bathroom, a single suite, and a central vestibule that split the flow in the social area. To adapt the apartment to the residents’ needs, the architects removed one of the bedrooms and the pantry, creating a TV room and a kitchen – which received terrazzo flooring and countertops made on-site – connected to the dining room by sliding doors. The suite was also enlarged by removing one of the bedrooms.
Spacious loft-style living room with exposed concrete ceiling, large windows, and mid-century modern furniture.
Integrated spaces were created using a few different materials and finishes, taking advantage of much of the existing structure. The residents already had a collection of contemporary art and some pieces of Brazilian furniture, which were included in the new layout. Notable pieces include the Mole and Oscar armchairs and the Mocho bench by Sérgio Rodrigues; the Jangada armchair by Jean Gillon; the Pétala coffee table and the Onda bench designed by Jorge Zalszupin; and a demolition wood bench included in the new space as a sideboard to connect the living room with the TV room.
A modern living room with exposed wooden beams, gray sofa, and vibrant artwork.

Newly acquired furniture by the family was also included, such as the Geometric dining table and the Composé sofa by Cremme, along with Moss chairs by Punto Mobile for the dining table and the Icon shelf by Jader de Almeida. The architects believe that this renovation project was only possible thanks to the “teamwork” between the office team and the clients. Reusing structures and materials to avoid waste only happened because the residents understood that revealing and enhancing some original and unique aspects of the property would be the essence of the project.
Minimalist loft-style interior with concrete ceiling beams, white brick walls, and acoustic guitars.
Striking concrete ceiling beams, modular orange art piece, and minimalist furniture.
Minimalist bedroom with exposed concrete beams, brick wall, and wood flooring.
Sleek modern bathroom with freestanding tub, glass shower, and wooden vanity.
White modern bathtub, black faucet, large windows, lush green plants, minimalist design.

Photography by Maíra Acayaba
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- by Matt Watts

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